Double your dating barnes and noble Real adult dating games
Bassist Reid Anderson and drummer Dave King will continue in 2018 with longtime friend Orrin Evans (no tryouts were held, according to their web page), and the new lineup’s forthcoming will reboot a 2010 album that notably consisted entirely of original music (the group specializes in inventive adaptations of non-jazz material).
The Bad Plus has always embodied enough depth and festivity to justify a year-end run in this sacrosanct jazz temple.
They’ll play alongside Kevin Saunderson, one of techno’s originators, and Turtle Bugg, a more recent, New York–based disciple.
— the star persona of Daniel Day-Lewis, an actor, we’re told repeatedly, who “disappears” into his parts?
In Claude’s case, he must do so even from the parents-of-friends farmers putting him up.
“You’ll live like a little Catholic for a while,” Claude is instructed.
She holds down the holiday season at the Joyce with her fascinating and diverse tap ensemble, performing two dances.
” —Imagine the cult-classic millennial satire Mean Girls (2004) transposed to ’80s Africa and starring six high-school seniors at the Aburi Girls Boarding School competing for the crown of Miss Ghana 1986.
That’s the pleasantly unorthodox premise of MCC Theater’s production of the New York playwright Jocelyn Bioh’s School Girls; or, the African Mean Girls Play, which is running at the Lucille Lortel Theater through December 31.
Directed by Rebecca Taichman (a Tony winner this year for Indecent), the show takes the familiarly American template and infuses it with the world and the specifics of Bioh’s Ghanaian-immigrant parents.
“He listens to the radio too much, but he’s a good man,” a grown-up warns eight-year-old Claude (Alain Cohen) of the cheery old crank the boy’s being sent off to live with.
It’s 1945, the Nazis have occupied France, and Claude and his family must hide their Jewishness.
For a certain kind of rock fan, this grimy, lo-fi, anguished vibe is heaven.